Memes y teoría de la literatura

Bibliographic References

• AUNGER, R. (ed.) (2000). “Darwinizing Culture. The Status of Memetics as a Science”, Oxford, Oxford University Press.
• AUNGER, R. (2002). “The Electric Meme: A Now Theory of How We Think and Communicate”, Nueva York, The Free Press.
• AYGÜN, A. A. (2020). “The Genealogy of Dracula: An Evolutionary Literary Analysis of the Vampire as a Meme”, Technium, Social Sciences Journal, 9, pp. 651-660.
• BLACKMORE, S. (1998). “The Meme Machine”, Oxford, Oxford Univer-sity Press.
• BÖRZSEI, L. K. (2013). “Makes a Meme Instead. A Concise History of Internet Memes”, New Media Studies Magazine, 7 https:// www.academia.edu/3649116/Makes_a_Meme_Instead_A_Concise_History_of Internet_Memes
• BRODIE, R. (2009). “Virus of the Mind. The New Science of Meme”, Londres, Hay House.
• BUNGE, M. (2010). “Matter and Mind. A Philosophy Inquiry”, Londres, Springer.
• CARROLL, J. (1995). “Evolution and Literary Theory”, Columbia, University of Missouri Press.
• CARROLL, J. (2011). “Reading Human Nature. Literary Darwinism in Theory and Practice”, Nueva York, SUNY Press.
• CHESTERMAN, A. (2016). “Memes of Translation. The Spread of Ideas in Translation Theory”, Amsterdam, John Benjamins.
• DAVIDSON, P. (2012). “The Language of Internet Memes”, en “The Social Media Reader”, ed. M. Mandiberg, Nueva York, NYU Press, pp. 120-136.
• DAWKINS, R. (1976). “The Selfish Gene”, Oxford, Oxford University Press.
• DENISOVA, A. (2019). “Internet Memes and Society. Social, Cultural, and Political Contexts”, Londres, Palgrave.
• DENNETT, D. (2017). “From Bacteria to Bach and Back, The Evolution of Minds”, Nueva York, W W Norton.
• DENSLOW, K. N. (2015). “Hamlet's Ghost Meme: Accidental Shakespeare, Repetition Compulsion, and Roofe Circles”, en In A State of Arrested Development, ed. K. M. Barton, Jefferson, NC, McFar-land, pp. 149-162.
• DENSLOW, K. N. (2017). “Guest Starring Hamlet: The Proliferation of the Shakespeare meme on American Television”, en “Shakespeare/Not-Shakespeare”, eds. K. N. Denslow C. Desmet, N. Lopez y J. Casey, Londres, Palgrave, pp. 97-110.
• DRAKETT, J., RICKETT, B. DAY, K. y MILNES, K. (2018). “Old jokes, New media - Online Sexism and Constructions of Gender in Internet Memes”, Feminism and Psychology, 18.1, pp. 109-127.
• ESTEVES, V. y MEIKLE, G. (2015). “Look @ this fukken doge: Internet memes and remix cultures”, en “The Routledge Companion to Alternative and Community Media”, ed. C. Atton, Nueva York, Routledge, pp. 561-570.
• EVNINE, S. J. (2018). “The Anonymity of a Murmur: Internet (and Other) Memes”, The British Journal of Aesthetics, 58.3, pp. 303-318.
• FISCHLIN, D. (2014). “Introduction”, en “OuterSpeares: Shakespeare, Intermedia, and the Limits of Adaptation”, Toronto, University of Toronto, pp. 3-50.
• FLORES, L. (2019). “Teaching Critical Memes”, Hyperrhiz: New Media Cultures, 21. http://hyperrhiz.io/hyperrhiz21/teachin-g/2-teaching-critical-memes.html
• HADEN CHURCH, S. y FELLEN, G. (2021). “Internet Memes as Remix: Simpsons Memes and the Swarm Archive”, en “The Routledge Handbook of Remix Studies and Digital Humanities”, eds. E. Navas, O. Gallaguer y X. Burrough, Londres, Routledge, pp. 259-273.
• HAYLES, N. K. (2006). “Unfinished Work: From Cyborg to Cognisphere”, Theory, Culture & Society, 23.7/8, pp. 159-166.
• HOFSTADTER, D. R. (1985). “Metamagical Themes. Questions for the Essence of Mind and Pattern”, Nueva York, Basic Books.
• JENKINS, H. (2006). “Convergence Culture: Where Old and New Media Collide”, Nueva York, NYU Press.
• JENKINS, H., FORD, S., y J. GREEN (2013). “Spreadable Media. Create Value and Meaning in a Networked Culture”, Nueva York, NYU Press.
• KIEN, G. (2019). “Communicating with Memes. Consequences in Post-truth Civilization”, Londres, Lexington Books.
• KIRBY, A. (2009). “Digimodernism: How New Technologies Dismantle the Postmodern and Reconfigure Our Culture”, Nueva York, Continuum.
• LESSIG, L. (2008). “Remix. Making Art and Commerce Thrive in the Hybrid Economy”, Londres, Boomsbury.
• LLORETA, A. (2019). “Los dank memes: la reacción a una internet invivible”. https://lab.cccb.org/es/los-dank-memes-la-reac-cion-a-una-internet-invivible/
• LOLLI, A. (2017). “La guerra dei memi. Fenomenologia di un scherzo infinito”, Ortebello, Effequ.
• LYNCH, A. (1996). “Thought Contagion: How Belief Spreads through Society”, Nueva York, Basic Books.
• MANÉ, E. (2012). “Les pratiqueurs”, en “L’Ère Post-Media, Humanités digitales et cultures numériques”, ed. J. P. Fourmentraux, París, Hermann, pp. 117-133.
• MILNER, R. M. (2016). “The World Made Meme: Discourse and Identity in Participatory Media Culture”, Cambridge, The MIT Press.
• NAVAS, E., GALLAGUER, O y BURROUGH, X. (2018). “Memes”, en “Keywords in Remix Studies”, Londres, Routledge, pp. 202-216.
• ORING, E. (2014). “Memetics and Folkloristics: The Applications”, Western Folklore, 73.4, pp. 455-492.
• PAGAN, N. O. (2013). “The Evolution of Literary Theory and the Literary Mind”, Interdisciplinary Literary Studies, 15.2, pp. 157-179.
• RUIZ, J. M. (2018). “Una aproximación retórica a los memes de internet”, Signa, 27, pp. 991-1021.
• RUIZ, J. M. (2019). “Memes y transmedia: los memes como fenómeno transmedial y la memética como factor de la expansión transmedial”, en “Narrativas transmediales”, ed. D. Sánchez-Mesa, Barcelona, GEDISA, pp. 107-123.
• SCHECHNER, R. (2002). “Performance Studies. An Introduction”, Nueva York, Routledge.
• SHIFMAN, L. (2014). “Memes in Digital Culture”, Cambridge, The MIT Press.
• SPERBER, D. (1996). “Explaining Culture: A Naturalistic Approach”, Oxford, Blackwell.
• TOLENTINO, J. (2019). “Trick Mirror. Reflections on Self-Delusion”, Nueva York, Random House.
• TYLER, T. (2011). “Memetics. Memes and the Science of Cultural Evolution”, s. l., Mersenne Publishing.
• WIGGINS, B. E. (2019). “The Discursive Power of Memes in Digital Culture. Ideology, Semiotics, and Intertextuality”, Londres, Palgrave.
• WILLIAMS, M. y RAZZORE, L. (2015). “Medieval Memes”, en “Medieval Afierlives in Contemporary Culture”, ed. G. Ashton, Londres, Bloomsbury, pp. 322-332.