Cancioneros manuscritos y mise en texte

  1. Déborah González Martínez 1
  1. 1 Universidade de Vigo, España
Revista:
Zeitschrift für romanische Philologie

ISSN: 0049-8661 1865-9063

Ano de publicación: 2020

Volume: 136

Número: 3

Páxinas: 833-871

Tipo: Artigo

DOI: 10.1515/ZRP-2020-0041 DIALNET GOOGLE SCHOLAR

Outras publicacións en: Zeitschrift für romanische Philologie

Obxectivos de Desenvolvemento Sustentable

Resumo

Galician-Portuguese troubadours were able to bring their compositions to a close by means of one or a series of fiindas. The fiinda can be understood as a conclusive sequence, shorter than a cobra or stanza, which is harmoniously integrated into the composition in terms of both form and content. The principles governing the textual arrangement of the various Galician-Portuguese manuscript songbooks (the medieval A, fragmentary and unfinished, and the Italian apographs B and V of the humanist period) are of considerable help in identifying these final segments in texts where they are present. However, vicissitudes in the transmission of some compositions with fiindas have occasionally led to a blurring or obscuring of these sequences, which in turn may have been an obstacle to the correct perception and identification of the textual structure of fiindas by editors of these texts.