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Bibliographic References

• Barreca, Regina (ed.). 2002. A Sitdown with The Sopranos. Watching Italian American Culture on TV’s Most Talked-About Series. Nova York: Palgrave MacMillan.
• Burroughs, William S. 1987. Tierras de occidente. Barcelona: Península.
• Carrión, Jorge. 2011. Teleshakespeare. Madrid: Errata Naturae.
• Carroll, Noël. 2004. “Sympathy for the Devil”, en The Sopranos and Philosophy. I Kill Therefore I Am (eds. Richard Greene e Peter Vernezze). Chicago: Open Court, pp. 121-136. Trad. en VVAA. Los Soprano forever. Antimanual de una serie de culto. Madrid: Errata Naturae, pp. 55-74.
• Cascajosa, Concepción e Fernando de Felipe. 2007. “El infierno son los otros: Dialogando sobre la identidad y la diferencia en Los Soprano”, en La caja lista: Televisión norteamericana de culto (ed. C. Cascajosa). Barcelona: Laertes.
• Chalaby, Jean J. (ed.). 2005. Transnational Television Worldwide. Towards a New Media Order. Londres: I. B. Tauris.
• Creeber, Glen (ed.). 2001. The Television Genre Book. Londres: BFI.
• Creeber, Glen 2004. Serial Television. Big Drama on the Small Screen. Londres: BFI.
• Deleuze, Gilles. 1984. La imagen-movimiento. Estudios sobre cine1. Barcelona: Paidós.
• Gabbard, Glen. 2002. The Psychology and The Sopranos: Love, Death and Betrayal in America’s Favourite Gangster Family. Nova York: Basic Books.
• Geraghty, Christine (ed.). 1998. The Television Studies Book. Londres: Arnold.
• Gilbert, Sandra M. 2002. “Life with (God)Father”, en A Sitdown with The Sopranos. Watching Italian American Culture on TV’s Most Talked-About Series (ed. Regina Barreca). Nova York: Palgrave MacMillan, pp. 11-26.
• Greene, Richard e Peter Vernezze (eds.). 2004. The Sopranos and Philosophy. I Kill Therefore I Am. Chicago: Open Court.
• Lavery, David (ed.). 2002. This Thing of Ours. Investigating The Sopranos. Nova York: Columbia U.P.
• Lavery, David 2006. Reading The Sopranos. Hit TV from HBO. Londres: I. B. Tauris.
• Lavery, David et alii (eds.). 2011. The Essential Sopranos Reader. Lexington: The University Press of Kentucky.
• Lipovetsky, Gilles e Jean Serroy. 2009. La pantalla global. Barcelona: Anagrama.
• McCabe, Janet e Kim Akass. 2007. Quality TV: Contemporary American Television and Beyond. Londres: IB Tauris.
• Messenger, Chris. 2002. The Godfather and American Culture. Nova York: State University of New York.
• Nelson, Robin. 1997. TV Drama in Transition. Forms, Values and Cultural Change. Londres: Macmillan Press.
• Quinn, Roseanne Giannini. 2004. “Mothers, Molls and Misogynists: Resisting Italian American Womanhood in The Sopranos”, en The Journal of American Culture, 27, 2, pp. 166-174.
• Santo, Avi. 2002. “Fat Fuck! Why don’t ypu take a look in the mirror?: Weight, Body Image, and Masculinity in The Sopranos”, en This Thing of Ours: Investigating The Sopranos (ed. David Lavery). Nova York: Columbia U.P., Image, pp. 72-94.
• Scolari, Carlos A. 2008. Hipermediaciones. Barcelona: Gedisa.
• Seiter, Ellen. 2000. “Television and the Internet”, en Electronic Media and Technoculture (ed. John Thornton Caldwell). NJ, Rutgers U.P., pp. 227-243.
• Stoehr, Kevin L. 2009. “Los nihilistas también comen cannoli”, en VVAA. Los Soprano forever. Antimanual de una serie de culto. Madrid: Errata Naturae, pp. 93-106.
• Thompson, Kristin. 1999. Storytelling in the New Hollywood: Understanding Classical Narrative Technique. Cambridge (Mass.): Harvard U. P.
• Thompson, Kristin 2003. Storytelling in Film and Television. Cambridge (Mass.): Harvard U. P.
• VV. AA. 2009. Los Soprano forever. Antimanual de una serie de culto. Madrid: Errata Naturae.
• Walker, Joseph S. 2002. “‘Cunnilingus and Psychiatry have brought to this’: Livia and the Logic of False Hoods in the First Season of The Sopranos”, en This Thing of Ours. Investigating The Sopranos (ed. David Lavery). Nova York: Columbia U.P., pp. 109-123.
• Willis, Ellen. 2002. “Our Mobsters, Ourselves”, en This Thing of Ours. Investigating The Sopranos (ed. David Lavery). Nova York: Columbia U.P., pp. 1-9.
• Yacowar, Maurice. 2002. The Sopranos on the Couch. Analyzing Television’s Greatest Hits. Nova York: Continuum.